If anything, that's a reflection of the shift in popular musical taste. Kids these days are, in my opinion, much less mature than those that grew up a decade ago. And it's their taste that pretty much dictates what we hear on the radio.
But as far as music production, I think we've definitely seen a boom in music exploration and creativity. Again, a lot of musicians are finding niche audiences -- audiences too small and insignificant to record labels who are looking for the next Fallout Boy.
I'd agree with you in saying that the music business is in a rut, because its goal of marketing the next hit artist for huge returns leaves a lot of talent unnoticed. But is music, as far as its creativity, originality, progression, and meaning, in a rut? I really don't think so.
A decade ago with Blink 182 and Brittany Spears? Or 10 years before that, with Mr. Roboto?
Most people will always remain largely tasteless. That's nothing new. Popular music will always be worse than the real cutting edge, because pop music hit its peak and now it's in recline. The Beatles were that fusion of cutting edge and pop, and now that they're done music is changing again.
But as far as music production, I think we've definitely seen a boom in music exploration and creativity. Again, a lot of musicians are finding niche audiences -- audiences too small and insignificant to record labels who are looking for the next Fallout Boy.
I'd agree with you in saying that the music business is in a rut, because its goal of marketing the next hit artist for huge returns leaves a lot of talent unnoticed. But is music, as far as its creativity, originality, progression, and meaning, in a rut? I really don't think so.