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> it shares with brutalism the trait of being deliberately unwelcoming to the senses as a way of demanding attention be paid to itself.

Interesting, is that what you take away from brutalism? To me brutalist design and art is deliberately unwelcoming to critique the blandness and safeness of our modern cushioned existence, not a puerile drawing of attention. I actually enjoy the aesthetic.

But then, disclaimer, I'm a sucker for histrionics and theatrical gimmicks.



That's a reading of brutalism I haven't encountered before. It's not one with which I find myself at all favorably impressed, not least because a phrase like "the blandness and safeness of our modern cushioned existence" suggests a level of engagement with history that, speaking charitably, could stand to be much further developed. But maybe there's a more detailed treatment of this analysis that you could point me to.


I'm sorry, I'm being vague. I didn't mean it like that, I'm not talking about why le corbusier's had a love affair with concrete. I was thinking about how I hate corporate memphis and the design of 95% of UIs, and how I wish there was more "nu-brutalist" web/app design to give all those bland pastels the finger.


Ah, I think I see what you might be driving at. Would it be fair to summarize the view as holding that, beyond valuable affordances for safety equivalent to handrails and warning signs, etc., it does no one any favors to attempt to conceal the essential complexity of the technology underpinning much of contemporary society?


I went to high school in what was essentially an old castle-looking building- when they converted it to have electricity and stuff, they put in conduit and the like, but then painted it to match the walls.

One of my friends did a bit of photoshop to see what it would look like if the conduit was instead a dull gray and it looked so much better and so distinctive that it felt like I had been robbed.

I think there's a reason everybody seems to love the star trek engine room




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