No prob. Often metal guitarists have a some portion of the amps on stage pumping out clean, undistorted sound because it adds a ton of depth. Occasionally this is super useful in cooking, too. Mixing raw and roasted garlic in an aoli is a pro move, as is mixing cooked and raw fruit in a coulis or sorbet being sure to add enough acid to brighten it back up.
I'd hesitate to even call myself a musical dilitante over the past decade, but it was my primary medium from my teens to mid twenties. Having graduated culinary school in my late twenties and now getting my first actual degree– a design BFA– a bit over a decade later, I'm often struck by the similarities among creative endeavors. Conceptual elements like texture, metaphorical or otherwise, can interface with so many of the same underlying emotional triggers in such interesting ways. These realizations certainly would have made me a better musician. Too focused on the composition and not enough on the feel. I think it was because my first guitar teacher, my dad, is a mechanical engineer. He's a far better musician than I am, but he's just used to communicating ideas in cut and dried technical terms.
Technical stuff is important, but for menu development, I'd partner with an experienced creative musician who can confidently manipulate abstract concepts over someone who'd memorized a food science text book, any day.
