Lem's criticism of much mainstream US SF at the time likewise takes the view that there's too little Science behind any of this Science Fiction. I'm not sure how much of his literary criticism is in print, "Microworlds" is the volume I read.
I like my SF very hard ("Incandescence" by Greg Egan is roughly where I'd say I'm comfortable, a plausible mechanism by which a pre-industrial civilisation might discover general relativity, that novel made me cry at the end) but even when he's being totally whimsical I really enjoyed Lem.
Lately on Amazon the term "hard" has been misused or
redefined for "military scifi" / "violent scifi".
That aside,
I just have a regular understanding of most fields in science. I know a bit here and there.
More astronomy.
My field is computer science, so I have
some knowledge there.
What I wonder about is if the average scifi reader expects or even could tell if something is "science" and not fantasy. Huge absurd things of course.
I have read so many different descriptions on how FTL works.
I dont think (ignorance on my part) that we have a solid theory for how it can be done.
- Warping of space/time (or higher dimension),
- "portals" left by "an ancient civilization"(that sort of evades the issue)
- wormholes
- "Taming a god"
- through special cracks in space/time that only a special navigator (species) can feel.
- improbability drive (I do love Douglas Adams).
and many more.
When you read can you take the existence of FTL on just being there, do you reject the ideas fully, or do you judge it on its merits if the description extrapolates current knowledge into a future where we can FTL? (if ever)
> What I wonder about is if the average scifi reader expects or even could tell if something is "science" and not fantasy
I think hard sci-fi requires that the book universe has consistent rules and the book focuses on their consequences, while soft sci-fi focuses on stories and the rules are unspecified or don't drive the plot.
The rules don't need to be what we currently think about our universe for the book to be hard sci-fi.
So, what makes SF, even hard SF, is not so much what can or can't be possible but the storytelling approach which falls out of it.
This is genre fiction, and genres have rules. For example, Romance is a genre of happily ever after endings. If you write what is ostensibly a Romance novel, but the heroine realises six pages from the end that her new lover is cheating on her and so she walks away unhappily and that's it, that's not a Romance novel, a Romance imprint would reject it, if you're a big name author they'd tell you to take it to a literary fiction house - otherwise go away and rewrite with a happy ending.
In SF the rule is "What if ...?", so you absolutely can have anything, unicorns, magic spells, faster than light travel, God can be real, but the story is about what else if that was so? That's where science comes into it. OK, so there are unicorns, what's special about them, just horses with a weird horn or anything more? Do people... ride unicorns? Eat them? Or maybe the unicorns eat people.
A fantasy kingdom with a rich gold mine can be dirt poor and yet money is somehow measured in gold, the thing they have plenty of, in fantasy you needn't explain, but in SF that's either a massive error or the core thesis of a novel.
On FTL specifically. I'm not a fan for reasons Charlie Stross explained when he gave up on writing a sequel I'd kinda wanted to read some day in a setting where he'd tried to tame FTL. FTL is time travel. So, you need to either embrace that, and have arbitrary time travel in your story (good luck producing a narrative you can write down) or come up with a water tight reason nobody ever does this. That's just a high cost it usually isn't worth it.
That said, the Clockwork Rocket series by Egan does just do time travel, but it also has different spatial dimensional layout, it's set somewhere way stranger than the setting for Incandescence, which is our universe albeit not somewhere humans could ever go. Still, I wasn't enormously happy with the outcome, time travel still ends up being sort of cheating even in the framework Egan creates. They do, as hoped, solve their impending disaster by going very, very fast though. Also they fix the patriarchy, which is way harder in a world where women inherently die during the equivalent of childbirth...
You are absolutely correct there is no "solid theory" for FTL. Rather, there is "solid theory" FTL truly is impossible in the universe as we know it, because it would allow effects to happen before the events that caused them. It would allow messages to be sent back in time. The speed of light is much more than the speed of light: it is the speed of causality itself. If the sun were to suddenly disappear, the earth would continue to orbit the disappeared sun for the roughly 8 minutes that lightspeed (or causality-speed) requires for covering the earth-sun distance. Anytime any event happens anywhere in the universe, you can imagine an invisible sphere exploding outward from that event in all directions at lightspeed (causality-speed). The event cannot cause an effect anywhere in the universe until this expanding sphere hits that part of the universe. So picture one of these spheres expanding outward from you at the moment you were born. At age 80 your birth-sphere now has a radius of 80 light-years. There is a 160 light-year diameter ball in the Milky Way all the effects of your birth are limited to. It will be millions of years before anything you ever could have done could have any effect whatsoever in the Andromeda galaxy. There is a "glass half full" optimistic view of this limitation: intergalactic Thanos/Hitler types cannot exist in the universe as we know it. We are well quarantined from the evil in other galaxies (if any exists), and other galaxies are well-quarantined from our evil here (where it definitely exists).
I like my SF very hard ("Incandescence" by Greg Egan is roughly where I'd say I'm comfortable, a plausible mechanism by which a pre-industrial civilisation might discover general relativity, that novel made me cry at the end) but even when he's being totally whimsical I really enjoyed Lem.