I've noticed the similarity between speech writing/delivery and comedy as well, and find it quite fascinating.
The really compelling bit for me is watching a skilled comedian get a feel for the crowd. It's easier to spot with a comic you've seen more than once, but you can see this with others as well once you know to look - you'll see them go into a routine, and for some reason the jokes just aren't hitting with the expected force (the crowd seems into it from my perspective, but what do I know?). They'll then almost seamlessly pivot into another completely different bit, and NOW it almost audibly clicks, and the audience just swells and starts laughing with their whole being. It's difficult to describe, considering that much of it is a feeling in the air. An off-the-top example...a comic is doing political material, and it's not being totally received, so they'll segue into sex material, and it pops with this crowd, so they'll continue from there. Considering that even within the same town, an 8:00 crowd and an 11:00 crowd may differ wildly in their tastes, to the point where the 8 crowd wants politics, and the 11 crowd wants sex. Geography plays a factor, too. It's an incredibly complex skill to master, and generally takes several years of road work to get down. Some of the hardcore touring comics are on the road for 250 - 300 days a year, which is insane to me.
It's easier to get a feel for these moments if you watch a lot of amateur comedy (not open mic beginners, though, as that's another beast), where the comedians are working on material or honing their chops - they're not as skilled as the headliners, usually, in mastering the pivot, so you see them successfully feel out the crowd dynamic, but not necessarily execute completely, so the struggle is much more obvious.
It's incredibly difficult work. Weeks of writing and 20 pages of notes might lead to 3 minutes of actual, usable material (likely less), if you're lucky. All respect to these professionals.
The really compelling bit for me is watching a skilled comedian get a feel for the crowd. It's easier to spot with a comic you've seen more than once, but you can see this with others as well once you know to look - you'll see them go into a routine, and for some reason the jokes just aren't hitting with the expected force (the crowd seems into it from my perspective, but what do I know?). They'll then almost seamlessly pivot into another completely different bit, and NOW it almost audibly clicks, and the audience just swells and starts laughing with their whole being. It's difficult to describe, considering that much of it is a feeling in the air. An off-the-top example...a comic is doing political material, and it's not being totally received, so they'll segue into sex material, and it pops with this crowd, so they'll continue from there. Considering that even within the same town, an 8:00 crowd and an 11:00 crowd may differ wildly in their tastes, to the point where the 8 crowd wants politics, and the 11 crowd wants sex. Geography plays a factor, too. It's an incredibly complex skill to master, and generally takes several years of road work to get down. Some of the hardcore touring comics are on the road for 250 - 300 days a year, which is insane to me.
It's easier to get a feel for these moments if you watch a lot of amateur comedy (not open mic beginners, though, as that's another beast), where the comedians are working on material or honing their chops - they're not as skilled as the headliners, usually, in mastering the pivot, so you see them successfully feel out the crowd dynamic, but not necessarily execute completely, so the struggle is much more obvious.
It's incredibly difficult work. Weeks of writing and 20 pages of notes might lead to 3 minutes of actual, usable material (likely less), if you're lucky. All respect to these professionals.