I would say yes, insofar as the text and SCOTUS interpretations of the constitution count as law, so anything that violates, for example, the separation of powers would be illegal.
Interesting to compare this narrative to "A history of 'wokeness'". (Specifically, it's interesting that the "origins" seem to have very little to do with the history.)
Blaming anyone about anything is extremely unlikely to improve your individual situation and is typically a colossal waste of time. This is from a financial and life milestone standpoint.
And in cases where it isn't, you should be talking to a lawyer asap.
"In many ways, this age group is in a better place financially, on average, than their parents were at this age. The problem is that they don’t seem to know it."
The phrase "in many ways" is doing a lot of lifting. I wonder: what ways? What details need to be ignored in order for the rest of the sentence to seem plausible?
That is cool and different. Glancing at the bottom several rows I tend to agree with the classification, as a trained musician. I wonder though, what is (the mathematical principle) behind it that is causing the brightness/ darkness in the sound of these chords?
Don't say "dissonance" (or explain what dissonance is)- that much is obvious, looking for something a bit more detailed, e.g. why 1-2-5 sounds brighter than 1-4-5
It is going to be the relative amplitudes of the overtones. Pure tone (like flute) is bright, many overtones present with the appropriate mix can sound dark (french horn). Next, you are going to ask me for the coefficients, but I don’t know that. Break into the nearest church with a proper pipe organ and start pulling and pushing stops to see what happens. (Or ask your friend the organist to take you so that you don’t get arrested)
I don't really understand this chart at all, but I think it's based on the idea that an upward movement of a fifth is bright, and a downward movement is dark. 1-2-5 can be built on two upward movements of a fifth, whereas 1-4-5 can be built be one upwards movement, and one downward (from the tonic)
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